refinery, etang du berre (32cm x 25cm, oil on wood)
The weather hasn't been too good recently, so I have been working more in the studio. I have been working from drawings, photographs and memory. In the studio I tend to work on images over a series of sessions, letting one layer dry a bit and then working over it. I quite often make a painting quickly, then scrape it back so that I am left with a ghost of an image that forms the basis for further work. The scraped back image dries nice and fast, so I can work on it next day. Sometimes I 'tonk' the original image. ' Tonking' refers to blotting a painting with newspaper, so it sucks out a lot of the oil and solvent in the paint, allowing it to dry quickly and removing any accumulated fussiness. I think the process is named after Henry Tonks, an English painter who was a formidable and influential teacher at the Slade school of art in the 1920's. Thanks, Henry.
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